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No private villas or cottages lined the long Digue from one end to the other.

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In fact, the only cottage on the Digue belonged to the King of Belgium. Mozaffar ad-Din Shah Qajar, The Shah of Persia-modern day Iran- planned to visit Ostend and he and his company of sixty people would occupy an entire floor of the Attractive women in ostend, complete with a special entrance. The Shah had decided to visit Ostend instead of England because of the mourning in England and the diplomatic unrest between England and Belgium. The continued South African War had bereaved hundreds of upper class English families. The English foreign policy toward Persia had not been very successful and the Attractive women in ostend chose to avoid England on his visit and seek a neutral country like Belgium for the rest of his European stay.

Thomas Walsh, the Mining Multi-Millionaire Visits King Leopold at Ostend The Royal Palace Hotel was so large that the Shah and his party of 60 could move about freely in their suite without encountering crowds of visitors in other parts of the hotel. If he did decide to socialize, there were many well known Americans visiting the Royal Palace Hotel. Thomas Walsh had climbed from being a poor Irish immigrant in America to a mining multi-millionaire and had taken his Wisconsin born wife, Carrie Reed Wash with him. King Leopold developed extensive mining interests in Africa and it was through Mr. Walsh that experts were sent to investigate these properties and report on their value.

In a sense, Leopold the King of Belgium became a partner of Thomas Walsh the multi-millionaire miner. His goal was to destroy Allied landing craft before they could unload for any kind of invasion of the European continent. But maybe the sea air would do his friend good. This was probably not the thing that convinced Roth to go. This book is being characterized in reviews as a historical novel, or a history written like a novel, but that does the book, Weidermann, and readers of nonfiction in general, a disservice. It implies that the excellence of Ostend is simply a choice of genre. But this is inaccurate.

It makes it a well-written book. It means that Weidermann ostdnd a terrific writer, and that the translation by Carol Brown Janeway is sharp. Other historians and biographers are not choosing to write with less skill and precision than Weidermann because of some kind of genre choice. They would do it if they could. Back to the story: